Tag Archives: Perth Amboy

An Interview With Alex Vazquez of Weigh The Wind

Alex Vazquez former drummer for Sky Harbor, Shout Out the Crowd, Jack the King, The Worst is Yet to Come, and who knows what else, recently let me in on some details about his reunion with Weigh the Wind and fallout with Shout Out the Crowd. Check it out.

Sam Acevedo: So why exactly did you and SOTC split?

Alex Vazquez: (After a quick laugh) Well shit between me and John’s mom… she was bad mouthing me behind my back… you can just say the band and i “had our differences.”

Sam Acevedo: Wow the last thing I was expecting was someone’s mom being involved. After the breakup what put the idea of a reunion with WtW in your head?

Alex Vazquez: Well it wasn’t just me. It was Joel and Jenna as well. Jenna and I were gonna start a side project punk group, but Joel wanted to start jamming again. We then came up with the idea to start up again. Also with a fourth member (Jorge) on lead guitar.

Sam Acevedo: So you guys finally got that second guitar you wanted, has it changed your sound at all?

Alex Vazquez: Absolutely. He definitely gives us that fuller sound we’ve been looking for. Jorge is honestly the most talented guitarist I’ve ever jammed with. Not only has he come up with excellent leads in our new material, but he came up with leads for our old EP as well.

Sam Acevedo: Speaking of new music, what kind of stuff can we expect out of WtW and when do you think you’ll have it up on Facebook?

Alex Vazquez: Well we’ve definitely matured in our sound. We haven’t necessarily changed it, we’ve just become more well-rounded as a group. Expect the same catchy choruses in the new material, but also expect the music to be much more intense. We’re planning on releasing a full length, but we’re not sure when at the moment. We’re still writing and prepping for shows.

Sam Acevedo: Going back to BrokenSound for that? (BrokenSound recording)

Alex Vazquez: Actually, we’re not sure yet. We’re thinking of going to Vince Ratti, who recorded The Wonder Years’ concept album “The Upsides”. He’s a really chill dude, and I’ve worked with him before so we’re hoping he’s available when we’re ready to record.

Sam Acevedo: Wow, that’s pretty intense, sounds like a decent bit of cash too. last question, do you guys have a set date for the reunion show or any ideas of where you want it to be?

Alex Vazquez: Honestly, Vince isn’t that expensive. He’s very fair with his pricing/payments as well. In terms of a reunion show, we’d like to get something huge set up, but we don’t know when and where. Hopefully before April since we’re dying to show the world our new material.

Well there you go, you can follow Weigh the Wind here, and stay posted for follow ups and more interviews with local bands headed your way. Later.

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Track by Track Review: Patronize Me: Darkest Shade of Blue EP

January 2012 and Perth Amboy locals Patronize Me release their maiden effort Darkest Shade of Blue EP.

Patronize Me @ The Basement in Perth Amboy, NJ

Everyone is tired of Pop-Punk, there I said it, and if you agree with me, even a tiny bit, you should really check out Patronize Me. These guys ARE the new wave, they’re Pop-Punk influenced, NOT inspired, and can go a long way in opening eyes to another side of music that I haven’t heard anything from in a while.

The opening track of Darkest Shade is “Give Up” which, given it’s softer disposition, is a surprisingly catchy song and really highlights vocalist/guitarists Patrick Minogue’s vocal versatility and indie inspired guitar playing. Initially hard to detect is Arcadio Rivera’s subtle but precise keyboard work that, along with Patrick’s Muse inspired vocals, carry the song and guided, rather than forced me, as a listener, to really feel what the song is about. It isn’t without blemishes though; the awkward interlude before the final chorus seems a bit sloppy at times before fixing itself and overall providing a taste of the other side of Patronize Me that we hear more of in their title track “The Darkest Shade of Blue” and the closing track of the EP “The Last Bridge.”

Now before you even go out and illegally download this CD, I’ve got to warn you all, “The Darkest Shade of Blue,” is probably going to be one of the most interesting tracks you’ve heard in a long time, perfectly mixing Pop-Punk with an Alt-Rock sound that’ll make your jaw drop and curse yourself for not thinking of it first, or maybe it’s just me. Starting with a quick drum solo and then lending itself to a guitar complete with Pop-Punk-esq triplets and start-stops that seem to melt into a mid-90s blues track, right of the bat you know this is something special. Filled with great bass work and the same triplets and start-stops throughout this is just an overall amazing composition. Even the guitar and bass solos seem to fit perfectly together, and from a musicians standpoint, that’s a hard thing to do, it’s obvious that these guys have a lot of musical chemistry and know each other pretty well as musicians. The only honest downside to the track are the keys that feel a little out of place in the forefront of the song whenever they show up, during the production process it might have been a better idea for them to have been more in the background of the song like they are in “Give Up,” as opposed to being the loudest things in the musical field, it just sounds a bit off, not bad, just misguided.

“Just wait … and You’ll See:” initially I was very turned off and disappointed in this song solely because the vocals seem to be in the same key as in the opening track, and in a bands first five song EP ever produced, you almost expect each song to be as different as they can be while maintaining that sound that sets it apart apart from the rest. But then I got over it. In  the 90s with Cobain’s monotone vocals and today with A Day To Remember’s every-song-on-the-album-in-the-same-key style of writing, songs sounding slightly the same isn’t too much a problem, but rather a pitfall to try and avoid whenever possible. Vocal key aside, the song itself really gives the band a personality, after listening to the entire track I knew who these guys were and what they stood for. The bouncy guitar break about midway through the song seemed a bit random, but that’s in no way a bad thing, unlike Patrick’s repetition of the word “sick” shortly after that,which WAS random in a bad way, and a bit awkward to listen to.

I’ve got a little story for you, writer sits down in a smokey, hemp filled room with his friends to listen to and review a CD for his blog, writer blasts music and everyone shuts up and starts grooving, that’s exactly what happened to me when I turned on Patronize Me’s next track off of Darkest Shade, “The Best of Solitude.” Immediately I was bombarded with “Who are these guys?” and “This is the kinda s**t I’m talkin’ about.” It seemed like everyone had something good to say about this song and it’s all because of groove dropped by bassist Alberto Roa and complemented flawlessly by drummer Tony Bonilla and Patrick’s guitar. While writing this review I had to restart this track about 20 times, half because of friendly requests by people in the room, and half because I was enjoying myself way too much. This track, 10/10, no question, by this point in the EP Patrick’s vocals are so unique and dominating that I’m anticipating seeing these guys live just to find out if he sounds the same in person. Everything in this song blends together just the way it should, from the keys to the drums and guitar and bass and especially the vocals. All in all, this track just cannot get enough praise from me, top shelf boys, top shelf.

We’ve arrived at the final song on the album fittingly titled “The Last Bridge”. So I play this guy and I hear some very nicely written piano, and some pseudo-experimental drums and then BAM, distortion, muffled vocals, grooving bass, a blast of power that this EP was missing to give it everything an Alt-Rock aficionado needs to validate Patronize Me as a force to be reckoned with. Just as fast as it starts the distortion and power ends and Patrick’s unique voice forces it’s way in with a note that may be a bit too high for him at the moment, but still sounds pleasing overall. Just as in “Give Up” Arcadio manages to play perfectly in the pocket and deserves an honorable mention for the intro and outro of the song.

CD over, I find myself in awe. I started this review with the intention of trying to pick out the great from the good, and I ended up having to force myself into finding what was wrong with most of the tracks. In the span of five short songs I went from thinking this was an EP made by just another band, into respecting every member of Patronize Me so much more than I already did. Every slight hiccup the EP has ends up as just a forgettable little flaw in an otherwise great effort by a band truly doing their own thing and seeming to not care about what anyone else thinks. If you want to listen to some Patronize Me or give them a thank-you-for-being-awesome post just stop by their Facebook page (opens in new tab) and show them some love, until next time, peace.

Artist: Patronize Me

Go Listen To: The Best of Solitude

Final Word: Alt-Rock gods beware.

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